April 12th 2025, 3pm
Carmel Valley Community Chapel,
Paso Hondo and Village Drive, Carmel Valley, CA
Tickets: Suggested Donation $30-$60 +
In this second in the series of benefit concerts for our beloved community chapel, we are pleased to invite famed Bay Area based cellist James Jaffe with pianist Elektra Schmidt performing music by Beethoven, Rachmaninov, Schumann and Piazzolla
Benefit Concert for Carmel Valley Community Chapel
April 12th, 2025 3pm
Program Notes
Ludwig van Beethoven – Sonata for Cello and Piano in C Major, Op. 102, No. 1 (1815)
Composed during Beethoven’s late period, this sonata marks a turning point in his compositional style. Written for his close friend and patron Countess Anna Maria Erdődy, the piece reflects Beethoven’s increasing exploration of counterpoint and motivic development. The first movement, marked Andante – Allegro vivace, opens with a calm yet mysterious introduction that gives way to a vibrant and rhythmically complex main section. The second movement, Adagio – Tempo Andante – Allegro vivace, contrasts lyrical introspection with energetic outbursts, showcasing Beethoven’s mastery of emotional and structural balance. This work reflects both the depth and inventiveness characteristic of Beethoven’s late style.
Robert Schumann – Fantasiestücke, Op. 73 (1849)
Written during one of the most productive years of Schumann's life, the Fantasiestücke (Fantasy Pieces) reflect his deep connection to Romantic ideals of spontaneity and emotional expression. Originally composed for clarinet and piano, the work is equally effective when performed on the cello, highlighting the instrument's vocal quality. The first piece, Zart und mit Ausdruck (Tender and with Expression), features flowing, song-like lines. The second, Lebhaft, leicht (Lively, Light), provides a playful contrast with its rhythmic charm. The final piece, Rasch und mit Feuer (Quick and with Fire), is passionate and virtuosic, ending the cycle with a burst of energy. The interplay between piano and cello in this work captures Schumann’s gift for intimate musical dialogue.
Sergei Rachmaninov – Vocalise, Op. 34, No. 14 (1915)
Originally written for soprano and piano, Vocalise is one of Rachmaninov's most beloved works, celebrated for its hauntingly simple yet emotionally charged melody. This wordless song is one of Rachmaninov’s most enduring works. Its simple, flowing melody unfolds over lush harmonies, creating a sense of quiet longing. The cello’s warm tone enhances the expressive quality of the piece, capturing the emotional weight beneath its seemingly straightforward surface.
Astor Piazzolla – Le Grand Tango (1982)
Composed for the legendary cellist Mstislav Rostropovich, Le Grand Tango is a masterful fusion of classical form and Argentine tango. Piazzolla’s innovative "nuevo tango" style incorporates elements of jazz and modern classical music, creating a rich and complex rhythmic tapestry. The piece begins with a bold and syncopated theme, marked by intense rhythmic drive and shifting accents. A contrasting middle section introduces a more lyrical and reflective atmosphere before building back to a fiery and virtuosic conclusion. Piazzolla’s music demands technical brilliance and emotional intensity, making Le Grand Tango a dramatic and captivating finale to the program.
Cellist James Jaffe sees every performance as an opportunity to create authentic connections between art, artists, and audience members. He has performed as a soloist with the National Repertory Orchestra, CityMusic Cleveland, and St. John’s Chamber Orchestra. Chamber music appearances have taken him to Beijing’s Central Conservatory, the Casalmaggiore International Festival in Italy, concert tours of Switzerland and France, and the Robert Mann String Quartet Seminar in Manhattan . His concerts have been broadcast on Cleveland’s WCLV 104.9, Virginia’s WVTF 89.1, San Francisco’s KDFC 90.3, and streamed live from the Norfolk Chamber Music Festival.
A visionary performer and collaborator, James co-founded Wave Chamber Collective, which brings chamber musicians into dynamic new relationships with poets, artists, and scientists, and became a prescribed fire practitioner through his work with the Fire and Music Project, a new initiative creating performances to inspire a shift in Californians’ relationship with fire. James is a longstanding member of the Groupmuse house concert cooperative, having performed at 150 Groupmuses to date, including a sold-out performance of Schubert’s Death and the Maiden at the Bay Area’s first Massivemuse. He also works as a core member and section leader of One Found Sound, San Francisco’s unconducted chamber orchestra. He is a founding member of the Sierra Quartet and serves as artistic director of Festival Rolland, a summer chamber music festival in Burgundy, France. While classically trained, he has been fortunate to collaborate across genres with Journey, Deltron 3030, Vanessa Williams, Brad Mehldau, and Ensemble Mik Nawooj.
The son of a musicologist and an orchestral conductor, James began his lifelong journey with music by listening to ensembles conducted by his father, and absorbing his mother’s joy at the power of music and nature. James began piano lessons at the age of five and cello lessons at the age of nine, and before graduating high school he had won local concerto competitions at the Sacramento Youth Symphony, the Diablo Symphony Orchestra, and the Peninsula Symphony.
James studied the cello with Louise Saunders in Stockton, Milly Rosner in Berkeley, and Richard Aaron at the University of Michigan. He completed advanced performance degrees at the Cleveland Institute of Music with Stephen Geber, and the San Francisco Conservatory with Jennifer Culp. He spent summers in training at the Aspen Music Festival, Banff Centre in Canada, Astona Academy in Switzerland, and Music@Menlo. His chamber music mentors include members of the Juilliard, Cleveland, Takács, Tokyo, Vermeer, Emerson, Brentano, Borromeo, St. Lawrence, and Kronos quartets.
Passionate about sharing music with the next generation, James has coached chamber music at the Crowden School in Berkeley, served as director of high school chamber ensembles at Baldwin Wallace University, and mentored students through the Detroit Symphony's Civic Youth Ensembles program. He has also appeared as guest faculty at the Palo Alto Chamber Orchestra and the Northern Lights Chamber Music Institute.
Award winning pianist Elektra Schmidt performs as solo artist and in chamber groups in the United States, France, Greece, and the United Kingdom. Notable recent engagements include performing as soloist with the Santa Rosa Symphony, the Golden Gate Symphony and the Bay Area’s Awesöme Orchestra.
As well as a flourishing performance career, Elektra curates for numerous festivals and art houses in Europe and San Francisco. She is the founder of Artist Migration, an organization dedicated to the integration and mobility of international artists.
After graduating summa cum laude from the National Conservatory of her native Greece, Elektra pursued her post-graduate studies in Paris at the Schola Cantorum and the Conservatoire Raoul Pugno under the guidance of distinguished pianist Lilia Boyadjieva.
She received her master’s degree with First Prize and Distinction (Medaille d’Or avec les félicitations du jury).
Elektra has collaborated with international festivals throughout the world including the San Francisco International Arts Festival, Flower Piano Festival, and Oxford Philomusica in the United Kingdom. Exciting plans for this coming season include BajaPianoFest in Baja California in May and performances in Paris, London and Rome in June.